Critical Zone

My latest acousmatic geophonodesy, is now online on the excellent Sounding FUTURE platform.
https://audiospace.soundingfuture.com/tracks/critical-zone
LISTEN WITH HEADPHONES, as this is a binaural version of this 32-channel volumiphony.

Critical Zone

A permeable sonic heterogeneity

Inspired by the concept of the Critical Zone [1], this geophonodesy interferes with sound masses derived, among other sources, from natural sounds that have been reworked into synthetic sounds.

Here, sound flows and processes are treated spatially and temporally as ecosystems anthropically upsert by my compositional choices.

Somewhat similar, Critical Zone turns out to be an sound anthropo-stage.

This is an acousmatic volumiphonic work. A geophonodesy composed of 662 samples spread across 32 tracks. All of its material is from sound synthesis.


[1]  In 2001, the National Research Council of Canada defined the Critical Zone as « the heterogeneous near-surface environment in which complex interactions involving rocks, soil, water, air, and living organisms regulate the natural habitat and determine the availability of resources necessary for life ».

« gê » Part 1 @ MUSLAB

Mon œuvre « gê » sera diffusée à partir du 20 mars prochain dans le cadre de PLANETA COMPLEJO DIVERSIDAD au Centro de Cultura Digital à Mexico.

My work « gê » will be diffused starting March 20 as part of PLANETA COMPLEJO DIVERSIDAD at the Centro de Cultura Digital in Mexico City.

Vue spectrale des 2 premiers mouvements de ma nouvelle et première œuvre volumiphonique (32 canaux)

Écriture en cours

Spectral view of the first 2 movements of my new and first volumiphonic work (32 channels). Writing in progress

« gê » 8-channel version

Ma dernière œuvre, tout juste terminée :

My latest work, just finished :

Une terre oubliée, universelle, utopique et résiliente.
A forgotten land, universal, utopian and resilient.